Monday, July 17, 2017

Lucy Boston went to the circus, and then she went to Sydney

Hey hey chickadees! How's everything going? Stuff is pretty cool here. Went to Fiji, went to Sydney - you know, just a typical year!

For four years now I have entered the Sydney Quilt Show, and it's always a blast. I have made the BEST quilting friends thanks to the Sydney show. For me it's worth the effort and expense of taking time off work and staying in Sydney for at least 5 days so I can firstly have a little holiday and me-time, and secondly so I have the time to catch up with everyone at the show! This year was a little different - my lovely mum decided to fly down from Cairns and stay for a few days, which was just wonderful! She'd never been to a big quilt show before, and she also got to meet my friends (and she loved every single one of them).

Lucy Boston Went to the Circus

This year I decided to finally finish my Patchwork of the Crosses quilt and enter it. This pattern is a little different to the typical Lucy Boston version however - instead of one inch pieces, it used 1 1/2 inch pieces, and the blocks are also appliqued onto a background, not joined. I bought the pattern from the designer Cherry Pie Designs, at the last ever Darling Harbour show before they demolished the convention centre, and showed it at the first ever exhibition at the new Darling Harbour convention centre.

Lucy Boston Went to the Circus

I was fairly pleased with how Lucy came together as a top. The striped border was thanks to my stubborness at being obnoxious about my fabric choices, my husband's insistence that a red and white circus stripe would be perfect, and the latest Tula Pink tent stripes hitting the quilt store at the exact same time. I honestly thought, on getting home, that I'd made a mistake getting red and cream, and not red and white, but it kinda turned out perfect! (Perfectly obnoxious, that is!)

Lucy Boston Went to the Circus

The quilting was when things went pear shaped. I started quilting a diagonal line from the top corner to the middle, turning 90 degrees towards the other corner. And then I repeated it every 3/8 inch. This started going a bit awry towards the middle of the section, but I persevered. By the time I got back from Fiji in early June, I finished off that first section and was faced with a massive bulge at the middle of the side border. So I spent two days unpicking it all - one quarter of the quilt, just gone. The bias blocks and the fact I hadn't cut out the fabric at the back of the applique had done me in, creating puckers and bulges, and if it hadn't been for mum coming all that way to see me and my quilt I would have withdrawn it from the show.

I ended up quilting horizontal straight lines 3/8 inch apart, and it turned out a lot better than I expected! It's not at all perfect, but I don't do perfect, and I was just happy it was done and not too much of an embarrassment to be hanging at Australia's biggest quilt show.


And then this happened.

Lucy Boston Went to the Circus

I will admit I did get a phone call from QuiltNSW the day before I left for Sydney. And I will admit I was really shocked at getting that phone call, especially given my category - Pieced Quilts, Amateur, predominantly machine quilted - seemed to have a really large number of entries (33) in it. Perhaps I'd won the meat tray*. Or they'd just made a massive mistake and had called the wrong Michelle.

Lucy Boston Went to the Circus

It was pretty sweet having mum there with me when they called my name out at the awards ceremony on day 1. She was so excited, as was I. I think I was just in shock that this had happened for the second year in a row, but the difference was that last year I knew my quilt was awesome. This year I was happy just to have entered it!

Lucy Boston Went to the Circus

So yeah, there she is. Lucy Boston who went to the circus one day, and to Sydney the next, and earned a pink and red ribbon for her efforts.

While I'm talking about the Sydney Quilt Show (which was awesome by the way - so much colour! 410 amazing quilts!), I'll tell you more about the hoop display that QuiltNSW erects near the front entrance of the show. Last year was the first year they'd done it and it was so successful and got people talking about the different techniques and styles on show. I was asked to submit a hoop quilt of my own for this year's show, so I replicated my Across the Universe quilt but on a much smaller scale.

Hoops display

And here are the some of the other hoops - pretty chuffed that one of the hoops that my quilting bestie Rachaeldaisy made was hanging close by mine. I'm imagining they never stopped talking, much like the two of us :)

Hoops display

Hoops display

I think this post is long enough now, so I won't share with you the other quilts at the show. Hopefully soon though!

I haven't entered the Canberra Quilters Exhibition this year, for a number of reasons, so Lucy is now safely hanging on our living room wall at home, above my nana's table, and behind the orange sofa. She seems pretty happy, and she has increased the happiness in that room ten-fold.

Lucy at home

*there's no meat tray, but there should be.

Sunday, April 9, 2017

Putting the "slow" back into "slow lane"

My physiotherapist told me a couple of years ago to quit using flippers when swimming my laps. It was hurting my back and probably not doing my swimming ability much good either. For the first summer I swam without flippers I really missed them. I missed not being able to keep up with my faster friends in the medium lane, and I missed not having the power to overtake slower swimmers when I needed to. Also doing handstands in the pool with flippers on is pretty hilarious.


The following winter I realised I was OK without them. There was a lot less to take to the pool (just goggles and ear plugs and a towel!), and really, life in the slow lane could be pretty sweet. The people are chattier. There is a lot of "you go first. No, you!" and "isn't this weather magnificent?". But the best thing is that it takes me longer to do my 20 laps, so I get to stay in the pool longer. And I've given myself time to develop my breathing and my stroke technique and probably I'm not that much slower than I used to be with flippers.


This morning while doing the slowest backstroke ever known in the history of lap swimming, I was staring at the pool ceiling and I realised that my life, over the last couple of years, has moved to the slow lane as well. Probably 90% of my patchwork is done by hand - in fact I haven't been in my sewing room to do anything than iron for weeks. Rather than fix the irrigation system in the vegetable patch (it snapped off when a guy came to rebuild the beds) I have watered everything by hand the last two summers. I just prefer it. I spend most lunch hours alone at a coffee shop, either stitching or reading.


And I didn't even think of blogging for close to 5 months.

I no longer say "I'm too busy" - because being a main carer of someone you love is a privilege and shouldn't be confused with "busy-ness". I say "I'm exhausted" a bit too much but that's when I decide an early night is in order and go to bed.


Being in the slow lane is pretty sweet. All the other slow-lane life swimmers are pretty nice, mainly because I'm choosing to spend my time with nice people. By spending most of my sewing time on the couch in the living room, I get to have some pretty great conversations with my husband because that's also where he spends most of his time. Occasionally I'll dip under the lane ropes to get into the fast lane and use a sewing machine, but it's pretty brief. And I do the occasional crazy thing like drive to Sydney by myself to go to a quilt guild meeting, but it's so nice to come home again and be slow.


Anyway, hi. Nice to see you again.


Wednesday, November 30, 2016

300 stars to go

I've been diligently (mostly - a couple of times there has had to be a bit of a catch up!) making a star a day since September 27, and I've made 65 so far. 


I can't tell you how much fun I'm having with this project! Just the simple act of sitting down for 30 mins each day to make one simple star by hand is so calming, especially when worries come up.


I have a coffee at lunch at my favourite cafe and I make stars. I went home to Cairns recently and I made stars there too. I sit in waiting rooms and glue papers for the following week or make a star. I've made stars that other people have picked the fabrics for. I've made stars while I have breakfast.



I'm going to be making stars for another 300 days, and I'm not at all unhappy about that.


Sunday, November 13, 2016

How to applique your EPP without pins and stress - a tutorial

I was making a Project 48 block last night where the instruction was to applique the EPP to a background fabric. It's something I do quite often in my EPP projects, but I find when I explain the concept to people, they sometimes don't understand how I do it, or how easy it is. So on finishing this block, I thought I'd do a little photo tutorial to show you.

This technique works with either blocks, or entire quilts, or side strips. 

(And I'll apologise now for the state of my hands and the macro shots. I've been gardening like a mad woman the last couple of weeks so my hands are a mess; and my little Canon camera has a mind of its own on the macro setting, giving me a horrible glamour filter each time. It's like a freaking Doris Day movie every time I look at the photos. Probably best given the state of my hands, but sorry about that.)

So this is your finished EPP block, unpressed but still gorgeous.

And here is the back of it.

Give the back a bit of a press with a hot steamy iron. Don't push back and forth. PRESS. You want to put a permanent crease in those outer shapes, especially.

If you've glue basted as I have, take a cuticle stick (one of the wooden ones you get in packs of 3 at Priceline) and gently use it to lift the fabric from the paper. It will kind of pop. 

If you have used a scant amount of glue, kept the glue away from the edge, and used a decent seam allowance, this will be easy. If you haven't, then you're doing EPP wrong. Sorry, but you are. I'll come by another time and show you how to EPP properly, I promise.

Use your cuticle stick to lift out the papers as you release them from the glue. 

Or if you have thread basted, just clip the threads and pop the papers out!

This is the back of the block after all the papers have been removed. Don't worry about the seam allowances that have lifted, because ...

... you'll get the chance to give them a bit of a press. Again, PRESS, don't move the iron back and forth. You want those seams to maintain integrity. If any of the seams move and go a bit skewiff, just use your fingers to re-position them and press them gently back into place (preferably without burning your fingers). Easy!

Grab your spray starch of choice. Mine is Crisp because I can get it easily at my IGA. Yours is probably something else a lot cooler and funkier. It doesn't really matter. 

Give the front a quick spray of the starch and press with a dry iron. Do the same with the back, pressing so you don't dislodge all the fine work you have done with your seam integrity :).

Your EPP block is now prepared for the next step!

Take your background fabric, and press it in quarters and open it back out so that you have registration lines for placing the EPP on top of it.

Position your EPP on top of the background. See how it is centred perfectly?

Roxanne basting glue is your new little friend. I use the one with the steel nozzle because it makes gluing minimal and accurate. Very important!

Fold your positioned EPP block gently forward at the half way line without moving it off the position you placed it in. Gently dab a little dot of glue inside the seam line, just on the corners will do it. This is where it pays to have a 3/8 inch seam allowance on your EPP. Trust me - you do NOT want this glue anywhere near where your needle will be because it when it is hard it is damn near impossible to get your needle through it and your will curse this technique forever and ever. 

When you have glue dots on all the corners, gently flip your block back to where it was originally. 

PRESS the glue dry with your iron (dry iron).

Now flip the bottom half back and dot with glue again. Don't forget to also add glue at the seam allowance near the centre line. Flip it back...

...and press. The glue should now have dried. 

This is how I double check it's all attached. Just kidding. But look! No pins required!

Find your best matching thread. I use Superior Egyptian cotton exclusively for all my applique because it's bloody lovely. And no one is even paying me to say that. I get it in the donuts in all the colours because I do so much applique in so many bright colours. But other people swear by Aurifil 50/2 cotton, or silk, or Superior bottom line. Use whatever you can afford and whatever suits the work you do.

As for needles I only ever use Clover Gold Applique No. 10. I tried the Hiroshima Tulip needles but they weren't as bendy for my style of applique (I swear by Tulips for EPP though). Again, use the needle that suits you the best.

Knot your thread and come in from the back. Start a little beneath the applique, and just catch a couple of threads at the seam fold.

I do a stitch every 2-4 mm.  Depends on the curves an intricacy. But this is an EPP block with straight edges - every 4-5 mm will do the trick.

The points are important. Make sure you take a stitch at each one to secure it. If you don't, your points can invert when you wash or iron the block again.

And here's what the back looks like.

Keep going until the whole block is appliqued. You can choose to cut the back out if you like, later. Just carefully trim 3/8 inch inside the stitching lines with sharp scissors, making sure you don't cut through the front part.

And there you have it! Told you it was easy!

Please ask any questions in the comments below and I will answer them there. Hopefully you'll find this tutorial helpful!

Sunday, October 30, 2016

Finished: A baby quilt for S

It hasn't happened very often in my working life but I'm currently working in a close-knit team of very supportive colleagues who also double as Very Lovely People. Two of those Very Lovely People are having babies very soon, and I love to make quilts that people will use, so win-win, right?

Baby Quilt for Sam

My colleague S finished up work last week so I rushed to finish this UFO from a few years ago. I made it as part of a Craftsy class on improv piecing with Jacquie Gering. I pieced the top and then never knew what to do with it so I put it aside. It turned out to be the perfect size for a baby.

I found some wool batting in the stash - cotton is my preferred batting for home-quilting, mainly because it's sticky and quilts don't tend to pucker, but for a Canberra baby playing on the floor, I think wool is a nicer batting.

Baby Quilt for Sam

I am really enjoying using up the bigger bits of my stash as backings at the moment. This one is a very old Kaffe Fassett print. I bought it for $2 a metre back when Home Yardage were still in Canberra, I suspect around 2003. I bought it in another colourway too - I remember asking the cutter if he realised how cheap this fabric was - it normally went for $27 a metre at the quilt stores. He told me he had no idea who Kaffe Fassett was. No wonder they went out of business...

Baby Quilt for Sam

I basted on the kitchen table and quilted it in 90 minutes. Just straight lines in a grid pattern using the heavier-weight Aurifil 28/2 thread, but it will be chucked up on and dragged through the garden and used for rainy day forts, so it needed to be durable.

Baby Quilt for Sam

Because the top had been sitting around for 3 years collecting dust, and the backing had been in my stash for about the last 13 years, I gave it a wash and tumble dry after binding it. It stood up to the abuse really well, and then I steam ironed it on the linen setting so it at least looked nice enough to gift. She loved it. Her husband loved it. Her little toddler loved it. I'm so happy it's going to people who appreciate fine art quilts. I hope her baby boy enjoys it for years and years.

Baby Quilt for Sam


Pattern: Swirling Stars by Jacquie Gering (Crafty class)
Size: 54" x 40" 
Fabric: stash and scraps; and Sketch by Timeless Treasures as the background (I think!)
Quilting: Machine quilted, straight lines, using Aurifil Mako 28/2 thread in white (2024)
Batting: bleached 100% cotton
Started: July 2013
Finished: 20 October 2016

Tuesday, October 11, 2016

Finished: The gluten-free, dairy-free, vegetarian, farmers' market quilt

This is a story about Helen's quilt. In mid-2013 I started making a quilt out of fruit and vegetable fabrics - all purchased when I was at the SCQuilters retreat in Townsville in 2012. I loved how quirky the fabrics were, but had no idea what to do with them originally. I ended up piecing a quilt made from half-square triangles with the intention of giving it to my friend Helen for her birthday. She has to avoid dairy and gluten and is also a vegetarian and is super healthy so she was the perfect recipient. Plus she has the BEST sense of humour so would totally get it.

Farmers' Market quilt

Four of us were driving to Melbourne for her 59th birthday party/house renovation warming party in late August 2013. One of my friends was already making her a quilt, and life happened, and quilt exhibitions, and I ended up not getting the quilt finished in time. No matter, I thought. I've made her two quilts before - I'll give it to her on her 60th.

I haven't been to Melbourne as much as I'd have liked to over the last couple of years and I just never really thought much of that quilt again for some reason. But I'd made plans to have a little holiday in Melbourne by myself around the long weekend recently and was going to see Helen (5 weeks after after her 62nd birthday - bad friend!) so 4 days before I left I decided to finish the quilt and give it to her.


The piecing of the back took me half a day. Normally it would take half an hour. I just couldn't seem to grasp how a tape measure worked. But I finally got my shit together, basted it, quilted it and bound it. I managed to get a lot of gardening, a lunch out, two swims, and an afternoon drinks session with sewing friends in that time. It helps that I didn't quilt it that heavily, I suppose. Also I'm a super-fast binder. I LOVE binding.

Farmers' Market quilt

I took these photos in my hotel room an hour before I met Helen for dinner in Northcote. She loved her quilt. For once I've made her a quilt for her bed (it is 60 inches, so a bed topper) rather than her wall which makes me happy. I like keeping my friends warm, especially those I've known for more than half my life and who now live so far away.

Farmers' Market quilt

I quilted it with Aurifil thread 50/2 weight in a green colourway. It blends really well with the quilt. I did a diagonal design half an inch away from the bigger diamonds, and then in the ditch horizontally and vertically. The quilting probably took me about 2 1/2 hours, but it is utilitarian and it definitely won't fall apart.

Farmers' Market quilt


Pattern: My own - using HSTs
Size: 60" x 60" (finished block size 5")
Fabric: Various fruit and vegetable fabrics; and a green and white spotted fabric background
Quilting: Machine quilted, straight lines, using Aurifil Mako 50/2 thread in green (2890)
Batting: bleached 100% cotton
Started: July 2013
Finished: 3 October 2016